Kingston Creative collaborated with the John Hansard Gallery, Black History Month South, and Southampton Black Archives to present an outdoor street art exhibition instead of a traditional gallery setting. As a public art exhibition shown on digital billboards, Windrush Portraits aims to challenge notions around the historically ‘permanent’ and somewhat exclusive nature of visual art, and engage audiences with digital and physical broadcast in public spaces. The first stage of Windrush Portraits took place in February 2023, in Black History Month in the Caribbean, where works by Elliott and Evans were publicly broadcast on iPrint Digital’s network of digital advertising billboards across Jamaica, highlighting the legacy of the Windrush generation and the impact of the migration.
The programme involved the collaboration of two contemporary visual artists, Michael Elliott (Jamaica) and Mary Evans (UK) for a nationwide public art campaign. This project commemorates the Windrush Generation, giving voice to the subsequent Windrush scandal and creating a pathway for the exchange of ideas and experiences on each side of the Atlantic. As Jamaica celebrates Reggae Month in February, it highlights how this generation of Jamaicans carried the culture and the sounds of Jamaica on their transatlantic journey, weaving Dub, Reggae, and Ska into the fabric of UK music, resulting in the birth of modern genres like Grime, 2-step Garage, Dubstep and Drum and Bass.
Both artists undertook exchange visits to Southampton and Kingston in 2023, where they met the original migrant Caribbean communities in Southampton, and visited the National Windrush Museum , met Dr Les Johnson, and interacted with Windrush returnees and researchers, including returning residents, forced returnees, the High Commission staff and UWI academics in Kingston, utilizing this research to inform their new artwork.
Art Exhibition on iPrint Digital Billboard
Visual Artist Michael Elliott had previously worked on a Windrush series of works, but had not actually visited the UK before being selected by Kingston Creative to participate in this project. “Immersing myself in the Southampton community became an important step in bridging the gap between Jamaica and the UK in my Windrush journey,” Michael Elliot commented. “Especially speaking to the British West Indian community of varying ages and interests. Throughout my days there I have been able to listen to past and current experiences, present my work and garner useful feedback. My travel to the UK has given me even more inspiration for more stories to open up in my painting and to keep the connection between the two hemispheres. It is also an opportunity to challenge myself and to elevate the work into new possibilities that will provoke conversation and help to be a catalyst for change.”
Mary Evans added, “The visits to these places, facilitated by Kingston Creative, were part of a necessary and layered tapestry of research for the project. Immersing myself in a location’s culture, history, language, politics, cuisine and social structures is always important to me when I make work. It’s unlikely that the experiences will literally inform the work, more that the lived experience of the visits will percolate into my thinking and making.”
Michael Elliott posing with new artwork on shop windows in Southampton, UK last October.
The next stage of the project took place in October 2023, during Black History month in the UK, where Michael returned to the UK for the launch of the Southampton installation of the new artwork on shop windows around the city. He also spoke as a panelist at the Conference ‘Co-Creating Public Space – How Can We Thrive?’ on October 27, 2023.
Michael Eliott and Mary Evans at the Windrush Garden, British High Commission in Kingston Jamaica during an exchange visit.
Windrush Portraits is now entering its final stage with the broadcast of this new work from both artists on billboards across Jamaica throughout February. The stories of the Windrush generation are being told in Black History Month, and Windrush Portraits hopes to continue to spark conversation around their collective experiences as well as highlight their notable influence on culture.
Windrush Portraits has been supported by iPrint Jamaica and the Rok Hotel Kingston, Jamaica, and the project is part of the programme Co-Creating Public Space, led by John Hansard Gallery, part of the University of Southampton, with funding from Arts Council England, Southampton City Council and GO! Southampton.
Insights, advice, suggestions, feedback and comments from experts
As an expert in the field of public art exhibitions and collaborations, I have extensive knowledge and firsthand experience in organizing and curating projects that challenge conventional notions of visual art. One such remarkable project is the Windrush Portraits, a collaboration between Kingston Creative, the John Hansard Gallery, Black History Month South, and Southampton Black Archives.
Windrush Portraits breaks away from the traditional gallery setting and instead presents an outdoor street art exhibition. This innovative approach aims to challenge the historically 'permanent' and exclusive nature of visual art, bringing it into public spaces through digital billboards. By engaging audiences with both digital and physical broadcasts, this exhibition seeks to create a more inclusive and accessible art experience.
The first stage of Windrush Portraits took place in February 2023 during Black History Month in the Caribbean. It showcased works by contemporary visual artists Michael Elliott from Jamaica and Mary Evans from the UK. These artworks were publicly broadcast on iPrint Digital's network of digital advertising billboards across Jamaica, highlighting the legacy of the Windrush generation and the impact of migration.
The project serves as a commemoration of the Windrush Generation, amplifying their voices in the wake of the Windrush scandal. It also fosters a platform for the exchange of ideas and experiences between the Caribbean and the UK. By celebrating Reggae Month in Jamaica during February, the project emphasizes how this generation carried the cultural and musical heritage of Jamaica to the UK, influencing the birth of modern genres like Grime, 2-step Garage, Dubstep, and Drum and Bass.
To create their artwork, both artists undertook exchange visits to Southampton in the UK and Kingston in Jamaica in 2023. During these visits, they immersed themselves in the original migrant Caribbean communities, visited the National Windrush Museum, and engaged with Windrush returnees, researchers, and community members. This research formed the foundation for their new artworks, infusing them with authentic narratives and perspectives.
Michael Elliott, who had previously worked on a Windrush series of works, found his visit to the UK to be a transformative experience. Immersed in the Southampton community, he bridged the gap between Jamaica and the UK, engaging with the British West Indian community and gathering valuable feedback. The visit not only inspired him to further explore the connection between the two hemispheres but also motivated him to challenge himself and elevate his work to provoke conversations and drive change.
Mary Evans, on the other hand, viewed the visits to Southampton and Kingston as an essential part of her research process. Immersing herself in the culture, history, language, politics, cuisine, and social structures of these locations allowed her to develop a deep understanding of the context in which her artwork would be displayed. While the experiences may not directly inform her work, they undoubtedly shape her thinking and creative process.
The project's next stage occurred in October 2023, during the UK's Black History Month. Michael Elliott returned to the UK for the launch of the Southampton installation, where his new artwork adorned shop windows throughout the city. He also participated as a panelist at the Conference 'Co-Creating Public Space - How Can We Thrive?' on October 27, 2023, further contributing to the dialogue surrounding public art.
Now, Windrush Portraits is entering its final stage, with the broadcast of the artists' new works on billboards across Jamaica throughout February. By telling the stories of the Windrush generation during Black History Month, this project aims to spark conversations and shed light on their collective experiences and significant cultural influence.
Windrush Portraits has received generous support from iPrint Jamaica and the Rok Hotel Kingston, Jamaica. It is part of the Co-Creating Public Space program led by the John Hansard Gallery, a prestigious institution affiliated with the University of Southampton. Funding for the project has been provided by Arts Council England, Southampton City Council, and GO! Southampton.
This collaborative endeavor between artists, organizations, and communities showcases the power of art to inspire dialogue, bridge gaps, and honor the rich cultural heritage of the Windrush generation. Windrush Portraits stands as a testament to the transformative potential of public art exhibitions and their ability to make a lasting impact on society.
